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The project was carried out by a multidisciplinary team including architecture practice François Chatillon, which specialises in revamping 20th-century buildings, and paint restorer Marie-Odile Hubert, who ensured that walls were recoloured in hues as close as possible to Le Corbusier's original palette. Italian furniture brand Cassina were also charged with restoring the apartment's furniture and the cow hide rug that features in the sitting area next to a black leather edition of Le Corbusier's signature LC2 lounge chair.

Designer Tristan Plessis and his StudioA/Tristan Plessis Studio took client Milk & Honey Group SA’s straightforward brief and translated it into his own version of edgy decadence. The dark colouring and the hard wood and marble are nicely softened by velvet seating and curved forms. The surprises in this space are the curving, beveled white ‘paneling’ that covers some of the walls and even the ceiling in one area by the bar, and the striped marble flooring that makes the bar-front area stand out.

Spanning 15,500 square feet (1,440 square metres), the showroom occupies part of a two-storey structure built in the 1960s. Glass walls offer clear views into the retail space, where white walls and concrete flooring offer a simple backdrop for furniture, lighting, floor coverings and other lifestyle products. The space has an open and airy atmosphere. A portion of the upper floor plate is carved away, enabling sight lines between the two levels. Situated in the centre of the store is a black staircase that acts a sculptural element.

The laces have been chosen to resemble the continuity of the "mitus", while in minimalist terms the 9 is written and a message is optimistic: with love and solidarity, with the help one gives to the other, we can fulfill our goal, to reach our destination, to be able to see the Light again.

Three handmade Venetian Glass objects, halfway between lamps and vases, explore the relationships between light and objects of desire.