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While walking through Central Park on his way to work, journalist and blogger, Christopher Maloney became increasingly fascinated by the familiarity of various landmarks and locations, he realised that this feeling of deja vu arose through these places having been used at sometime in the past, as film locations.

These colourful hand-blown pendant globes are designed by young Swedish designer Johan Lindsten for the Italian interiors firm of Capellini. Inspired by the Fukushima nuclear disaster, Johan Lindsten has created the lamps as reference to the tragic event through the design of a beautiful object.

This one of a kind luxurious penthouse apartment occupies the top three levels of one of the tallest high rise buildings in the city of Saint Petersburg in Russia. Designed by Russian born architect, Sergei Tchoban BDA in collaboration with ST Design, it represents the architects’ fascination with opulence and futuristic design.

This enormous on-site installation was constructed in Amsterdam and is the work of Cuban-American urban land artist, Jorge Rodriguez-Gerada. It depicts the face of an unknown Mesoamerican woman. As with most of the artist’s work, due to the vast scale, the best way to appreciate it in full is from an aerial view.

The year of 1939 in pre-war Europe, saw the final production year for the Rolls-Royce Phantom III, an automobile which, in its short lifetime, had achieved the status of the ultimate symbol of wealth available to just a small percentage of society.

The second range of products to be designed by New York based Brad Ascalon Studio for Design Within Reach, is the Atlas Table Collection. Inspired by the character of Greek Mythology, Atlas, whose fate it was to carry the weight of the heavens on his shoulders for all eternity, the collection is made up of coffee table and side tables.

This three level 355 sq.m. residence in the exclusive suburb of Filothei, Athens was designed by the practice of GEM Architects. A contemporary interpretation of the classic Doric form of architecture, emphasis is on the contrasts of volume and void, employed on all facades of the structure.